Mike Rose: Blend Hands-On with Academic Learning

The Vermont farm where Alan & I grew up

In 1962, the day after Labor Day, I got on a school bus, for almost the first time, with my best long time elementary school friends to travel 6 miles north to a brand spanking new junior high/high school — the brain child of five adjoining rural Vermont towns that combined to create this new “union” school.

In the first week I remember wondering naively why I only saw Alan, my next door neighbor with whom I played endless hours with different balls, rode bikes through the woods and fields, walked to and from school…why I only saw Alan on the bus.  I learned, because he told me, that he was in a different group in English, math, and social studies in the morning, and in the afternoon, for the whole 3 hours, he went down the back stairs to the lowest level of the building to a trade shop equipped with all the latest machinery for woodworking, auto mechanics, plumbing, and electrical trades.  I went down there once with him.  He showed me around.  That night at dinner I asked my mom and dad, “Hey, how come I can’t go with Alan in the afternoon down to the shop?  It’s fantastic!”  I don’t remember their answer, exactly, but I do remember it didn’t make sense to me.

At the same time I wondered why Betty—who had won every Friday-at-the-blackboard math competition from first to sixth grade (at the end of the dictation of 9 plus numbers in a column addition, she’d just write the answer)—why was Betty not in my Algebra class?  And why was Gloria—who could catch and throw as well as our star, Bobby, hit as well as most of the boys, and certainly run faster than all of us—why couldn’t Gloria play baseball with us?

A contemporary of mine, Mike Rose, spent a career in education researching variations of these same questions.  Mike Rose was a research professor in the UCLA Graduate School of Education and Information Studies.  He authored several books, including The Mind at Work: Valuing the Intelligence of the American Worker, Why School?: Reclaiming Education for All of Us, and more recently Back to School: Why Everyone Deserves a Second Chance at Education.. He died on August 15, 2022, at age 77, after a short illness. One of the last subjects Mike was pondering and writing about was “Public School and the Social Fabric.” An essay he wrote of that title was published in 2022. 

I was introduced to Rose in an “On Being” podcast hosted by Krista Tippet.

https://onbeing.org/programs/mike-rose-the-deepest-meanings-of-intelligence-and-vocation/#transcript

Mike Rose once wrote this: I grew up a witness to the intelligence of the waitress in motion, the reflective welder, the strategy of the guy on the assembly line. This, then, is something I know: the thought it takes to do physical work.

Krista Tippet wrote of Rose: …the particular way he saw the world resonates more than ever before, as our debates about standardized testing, the information economy, and the future of school only intensify. He argued with care and eloquence that we risk too narrow a view of the way the physical, the human, and the cognitive blend in all kinds of learning and in all kinds of labor.  His insights…offer much to enlarge our civic imagination on big subjects that are newly alive about the heart of who we are, including class dynamics we still scarcely know how to speak about in U.S. culture, and the deepest meanings of intelligence and of vocation.

In the interview, to embody our cultural bias, Rose recounted a rejoinder from a friend of his who said:  You know, it took a guy with a college degree to screw this up and a guy with a high school degree to fix it.

Rose elaborated as follows: [It’s a case of] hands-on experience versus the abstractions that can so often emerge from just learning through books. …what I strive for in my own work and with students who I’ve worked for, I strive to try and figure out how you blend these strands, because again, I’m very uncomfortable with binaries, with simple dichotomies, with, it’s either this or it’s that.

And in fact, I think what happens in most kinds of good work, whether it’s styling hair or neurosurgery, is that you get this blend of formal training with hands-on experience. And the folks who best blend those strands are the people who are usually the best at what they do.

Over the past couple of weeks I’ve been in the middle of a design/build project.  We’re renovating a double set of stairs of a 100+ year old dairy barn from the basement to the second floor, up two flights.  My brother, Mike, the just retired chair of the Ohio State University Department of Architecture, our veteran carpenter friend, Will, and I, spent hours between Mike’s drawings, Will’s critiques, and my wondering and measuring.  Mike and I are a combo of book learning and many experiences in the field building homes and other structures.  With Will’s experience and acumen for calculating and solving the unique problems in fitting a “state code stairway” into an ancient barn, the three of us, as Rose would say, blended our hands on skills and intelligences.  Will built a sturdy (you could take a cow up those stairs, Mike mused) and elegant, rustic style set of stairs.  They fit the space and barn perfectly.   

Drawing by Michael Cadwell

Top level landing

Rose outlines the history of the tensions in our culture that get expressed in different ways.  Sometimes it’s expressed in terms of rural or country or mid-America versus the city or East Coast elites or East Coast institutions. So there’s that sort of country-city tension that runs through our literature, back into the 19th century.

Onto that Rose layers another tension between book learning and practical experience.

Imagine, then, you begin this enterprise that’s called vocational education, with notions like that: that separate whole huge chunks of young humanity into one category or the other.  And, hey, no big surprise, the kids who are clumped into that hand-minded group tended to be poor kids, immigrant kids, kids of color.  Right?  And those who were moved or categorized as being the abstract-minded folks, well, gee, no big surprise, they tended to be white and here for generations and come from more well-to-do families.  John Dewey, our great American philosopher, called this “social predestination.”

In his research Rose took the frameworks of intelligence and cognition and analyzing tasks that are usually reserved for white-collar folks, professional folks, biographies of scientists and entrepreneurs and turned them on the folks who comprise the backbone of the economy and of what makes the world run: physical, manual labor; service work.

And what Rose uncovered was: the knowledge base you have to build to be good at anything from styling hair to plumbing to welding to bricklaying, whatnot, and the deployment of that knowledge and solving problems with it and troubleshooting and making decisions on the fly.  Rose used that lens to highlight and underscore the richness of their work, which so often gets dismissed — until something goes wrong with our plumbing.  And then, suddenly, this is the most important person in the world.

Rose then tied his discoveries back into our education system.  He said: We are locked into a way of thinking about school reform that suffers from …a reductive approach to schooling, to learning, to teaching. I think the unfortunate thing is that if you really know about schools and you really know about teaching, you get in close to classrooms, you watch this very intimate and difficult and complex thing called teaching and learning, you see what a far remove a standardized test score is from the cognitive and emotional and social give-and-take in a classroom.

In the end Mike Rose was hopeful: that we get to the point where we begin to look for much richer ways of thinking about teaching and learning, and richer ways to try and assess what’s going on in schools and classrooms, because here’s the good thing about the current impulse, … it is admitting and putting a bright light on the fact that there are a lot of kids who don’t do well in our schools; and those kids tend to be — poor kids, immigrant kids, children of color; and that we absolutely have to do something. This is a moral, ethical question of equity. We have to do something to do better with those children.

By the end of our senior year in high school, my good friend, Alan, had restored an old Chevy straight 6 into a cool coupe, built his mom a beautiful Birdseye maple chest of drawers, and passed the electrician apprentice exam.  I still couldn’t conjugate the French past perfect, remember the Russian czars, or make much sense of math after numbers were replaced by letters and symbols.  Alan graduated with a full-time job in a Standard Register factory up the road.  I graduated to a college about a mile from Alan’s factory.  When I graduated from college with a Bachelor of Arts in American Literature, my first job was as a carpenter.

Both Alan and I blended our next few years of experience with our past and growing knowledge in our fields of interest.  Alan started and ran a successful appliance sales and repair business.  I became an educator (head of two different schools), and in between designed and built several homes.  It seems that, on our own, Alan and I did what Rose would advocate that we could have had more available to us in school. We were motivated in our own ways…and lucky in our endeavors.

As an educator and a design/builder I have come to understand deeply the need to embrace what our Reggio Emilia colleagues refer to as The Hundred Languages…the many ways we come to understand the world and express ourselves in it.

Thank you, Mike Rose, for your profound understanding of the same.

Painting by Kathryn Milillo

A Child's Place

The West Yard, campus at A Child’s Place

About a month ago, I was at my grandson, Jack’s, preschool, A Child’s Place, in Lincroft, New Jersey.  I had agreed to offer a professional development morning and planned it in collaboration with the director, Zach Klausz, and a small group of teachers.  A Child’s Place is a Reggio-inspired school founded by Alba Di Bello.  I met Alba some years ago at an education conference and was happy to discover that my grandson would attend the school that she led for thirty-four years.  Zach and the teachers at A Child’s Place and I decided that reading Bringing Reggio Emilia Home over the summer would be a good way to prepare for my day with them.   I organized the morning and my slide presentation around some of the themes from the book: the learning community; dialogue, conversations and listening to children; the hundred languages of children; and project work.

I structured the presentation so that after each theme, we could think together about what resonated with them, their practice, and where they saw that they might expand and grow their practice with children.

We met in a comfortable room with one wall of windows that look out on an expansive outdoor classroom and the fields and woods that surround the school.  Tables were arranged in a circle so that the 15 or so teachers and administrators could be learners together and engage in dialogue about what was most important to them.

Demonstrating “bug drawing,” pretending to follow the path of a tiny insect around the contours of an object with your eyes and your pen.

It was a joy to have a morning with Jack’s teachers and to listen to their thoughts.  What struck me, more than ever, is that all these practices, that are central to the Reggio Approach, are also central to best practice no matter where the inspiration comes from.  Reflecting on the morning I was reminded that all these practices are focused on developing a democratic community, where all voices matter, where all voices are heard and valued and nurtured.  All voices in a school include children, teachers, parents, the larger community.  Zach, the director, posed the idea of a learning community as one that grows wider and deeper and does not have an end.  The idea of project work culminating in some offering to the larger community was a new idea to the teachers. This has become a central tenet of our work as Cadwell Collaborative…that learning is not for us alone, that all of us can share and offer what we learn to others in beautiful ways that become a gift.

Teacher practicing bug drawing/contour drawing with a leaf from the campus of A Child’s Place.

When we say that all voices matter, what is the broad and wide understanding of voice? “Voices” means children’s and adults’ words, ideas, learning, theories, perspectives, expressed in many ways and in many “languages,” as they say in Reggio Emilia…words, drawings, songs, gesture and drama, dance, numbers, sculpture….

The teachers gained a new appreciation for these foundational ideas during our morning together and so did I.  I realized, once again, and in a new way, that these themes… the learning community; dialogue, conversations and listening to children; the hundred languages of children; and project work…are bound together through the idea of democracy, inclusion, equality, shared ownership, collaboration, and offering to the community.

The outdoor spaces at A Child’s Place offer endless possibilities for learning and engagement with the natural world as a part of our learning community. That morning, I shared the Tree Project from Reggio Emilia that I wrote about in chapter three of Bringing Reggio Emilia Home. This project will always be an inspiration to me. The Diana School, where I spent so many happy days, is surrounded by the trees of the Giardini Publici, the public gardens, in Reggio Emilia. A Child’s Place is surrounded by mature trees and an expanse of field and green space that is rare these days.  I am so happy that Jack is at this school.  I so look forward to visiting often.   

Selecting leaves to draw, A Child’s Place, November, 2022

• Thanks to A Child’s Place and to Linda Littenberg for the images in this post.

 

 

 

 




Engaging, Organized, Beautiful Learning: The College School

First grade documentation on a project: From Sap to Syrup

We just returned from a trip to St. Louis where we worked with two schools, Principia and South City Catholic Academy. In these schools we continue to collaborate with wonderful teachers and administrators who want to grow and evolve their practice as educators. We also returned to my “home school,” The College School.  We are always inspired by so much at The College School.  It continues to be a touchstone for us…where the faculty practice so much of what Ashley and I help schools work toward.  I always find engaged children and teachers, lively classroom atmospheres, a variety of beautiful, well organized and cared for materials available in classrooms, learning that is clear through the practice of “making learning visible” on the walls of the classrooms and hallways, and organization, clarity, and beauty in classrooms.

Second grade classrroom

I started out in the first grade where I met with Melissa Ridings, a friend and colleague of many years.  I discovered that in the first and second grades, they are using Secret Stories: Cracking the Reading Code with Brain and Mind.  This was new to me.  In the first and second grade there were many child-made and illustrated phonics guides.  Reading was everywhere and in context.  And so were child made guides for creating healthy, happy classroom communities. There were self-portraits of children, photos of families, and evidence of learning through evolving projects or themes, which have been a part of The College School during its nearly 60 year history.

First grade Book Nook

First grade child illustrated phonics guides

Another thing that I noticed about the classroom environments was the place for the teachers’ work and materials. They were often located on counters rather than separate desks, and they were consistently organized and uncluttered.  Each classroom has the feel of a lab or studio where materials, books, supplies, spaces are organized for function and beauty, ease and comfort, practical use and aesthetics.

Second grade reading corner featuring families and guides for healthy community and communication

Fourth grade teacher “desk” in a corner on a counter

I also visited the kindergarten and the third and fourth grade. I met some teachers new to me, and some former friends and colleagues.  I ended my day with Sarah Hassing, the atlierista in the preschool and kindergarten.  I spent some time with three-year-old children exploring clay for the first time with a small block of clay in front of each of them.  I wrote a blog post last year about Sarah’s atelier because last April, when I visited, I started there and didn’t get to the rest of the school. I was so enchanted that I couldn’t tear myself away.

Second grade child made birthday chart

Second grade child generated and written guides for partner work

Materials on all tables in the kindergarten

This time, I did not make it beyond fourth grade, but I will next time when I will visit the fifth grade and the middle school. If you have a chance and are near The College School, make a detour and arrange for a visit.  If you are looking for inspiration and assurance that beautiful, joyful, education that puts engaged, meaningful learning at the top of the list and features children’s beautiful, excellent work in writing, graphics, science and other disciplines and media, go here.  It is one of my favorite schools on the planet.

Fourth grade guides to important ways to be together

Wild Geese

About this time of year, friends begin to send photos of the changing leaves, New England views of autumn, walks on trails through the woods, and sunsets. Something about the crisp air, the changing season, that we know is at once breathtaking and short-lived here in the northeast, makes it poignant, fleeting, and we want to try to capture it somehow. We want to savor it.

Image by Laura Brines. Kayaking at Green River Resevoir

We just returned from a trip to Maine where we helped our youngest son and his wife with their new baby while they attended a wedding of dear friends. Driving through all the brilliant color, through Vermont, New Hampshire, and Maine, seemed such a miracle. Like a continuous rainbow of reds and yellows, oranges and umbers, against the evergreens and the blue sky. As one of our friends says, “It takes your breath away.”

Watercolor by Susan Abbott. Find her work at here.

My sister-in-law sent photos today of the view outside her office in Shelburne, Vermont of Lake Champlain and the Adirondack Mountains, and a flock of wild geese flying south. She accompanied the photos with Mary Oliver’s poem, “Wild Geese.” The poem is a call, an invitation, to find our place “in the family of things.” To find our place in cycles and alongside creatures, in blooming and in dying, in the seasons and in change, and as children, and parents, and grandparents.

Image by Deb Sherrer. Lake Champlain, Adirondack Mountains, wild geese.

We share these images and this poem as a fall interlude, a pause to breathe and smile, and be grateful for our families, our world, our work and the teachers and children with whom we share our lives.

Many blessings to each of you as we move from fall to winter and find our place in the family of things over and over.

Wild Geese

by Mary Oliver

You do not have to be good.

You do not have to walk on your knees

for a hundred miles through the desert repenting.

You only have to let the soft animal of your body

love what it loves.

Tell me about despair, yours, and I will tell you mine.

Meanwhile the world goes on.

Meanwhile the sun and the clear pebbles of the rain

are moving across the landscapes,

over the prairies and the deep trees,

the mountains and the rivers.

Meanwhile the wild geese, high in the clean blue air,

are heading home again.

Whoever you are, no matter how lonely,

the world offers itself to your imagination,

calls to you like the wild geese, harsh and exciting -

over and over announcing your place

in the family of things.

Grandson, Alden, and son, Chris, Camden, Maine

Teaching Preschool Partners

Children at Shaver Elementary School, Teaching Preschool Partners

I just finished reading a gem of a curriculum guide for those of us inspired by the work of the preschools in Reggio Emilia, Italy. Playful Inquiry in the Early Years: A field guide for Inclusive, Inquisitive, collaborative school communities that learn together was written by Judy Graves in collaboration with educators dedicated to bringing the inspiration from the preschools of Reggio Emilia to under-resourced public elementary schools. They have done a stellar job! Teaching Preschool Partners (TPP) is a non-profit organization that partners with public school districts to offer playful inquiry approaches to early learning teachers and support staff. Teaching Preschool Partners is an organization that works every day to bring Playful Inquiry to schools where it has been missing. Teaching Preschool Partners collaborates with Oregon school districts to develop demonstration preschool and kindergarten sites and offers K-3 professional development to support inquiry-based learning for teachers, children, and families who live in marginalized communities. 

The work that launched Teaching Preschool Partners began at Opal School where teachers worked for 20 years to adapt and evolve the inspiration from Reggio Emilia in their pre-grade 5 public charter school.  Judy Graves, who I have known since 1996, explained to me that she grew weary of hearing teachers say, “This works for you in your context here at Opal, but it won’t work for us in our under-resourced community.” When Judy stepped down, following ten years as the school’s founding director, she accepted an invitation from her colleague, Catherine Willmott, to co-found Teaching Preschool Partners.

As background, Opal School was a beacon for North American educators, as well as international visitors, who looked for a living example of how to begin to interpret the work from Reggio Emilia and to build schools in response to the inspiration.  Opal was especially helpful for elementary school educators to see how the early education principles and practices from the preschools of Reggio Emilia might evolve and take shape in the elementary grades. I was fortunate to visit and work alongside the Opal educators many times over 20 years.  In a blog posted in April, 2021, we wrote:

Judy worked day and night, along with collaborators, to open Opal as a publicly funded charter school with a tuition-based preschool attached, inspired by the work of the schools in Reggio Emilia, Italy, the pedagogy of play, the highest quality literacy practices, a foundation of teaching democracy and social justice, and a commitment to professional development of the local, national, and international community.  Because of pandemic financial woes, both the Portland Children’s Museum and Opal School closed their doors on June 30, 2021.

In that blog post we also introduced a wonderful book that highlights a practice developed at Opal School, by by Opal School teachers with the leadership of Susan MacKay, Story Workshop: New Possibilities for Young Writers

Visiting educators at Opal School conference

Playful Inquiry in the Early Years: A field guide for Inclusive, Inquisitive, collaborative school communities that learn together is a treasure trove of in-depth descriptions and stories of essential practices that have found resounding success in these communities. I have never read a book that so thoroughly and in detail describes practices that embrace playful inquiry as the foundation of curriculum work in all the disciplines as well as the social emotional growth of children. As we read, we can understand and imagine putting these ideas into practice in our own work. At the same time, it is not at all prescriptive. It is a generous, helpful guide book for the possible.

The contents include:

Playful Inquiry: Respecting the inquisitive and imaginative minds of the young

Community Building

Environments and Materials

Curriculum Workshops: Introducing materials as thinking and imagining tools

Curriculum Workshops: Introducing literacy awareness and mathematical thinking

Social, Emotional, and Cognitive Life of Children

Documenting Playful Inquiry

The educators at Teaching Preschool Partners write:

Inquiry practices differ significantly from traditional instructional methodologies that assume knowledge can be transmitted from teacher to child. In place of prescriptive, scripted curriculum, inquiry approaches invite children… to use their inquisitive minds to play with intriguing ideas, questions, proposals, and challenges. Rather than reproducing knowledge, children are empowered to construct and produce knowledge.  The role of an adult shifts from being a transmitter of knowledge to becoming an organizer of opportunity.

When Portand Children’s Museum, the parent company of Opal School, closed its doors in 2021, an Opal Archive covering 20 years of teacher research was given to TPP to organize. It is now available to the public at no cost here, opalschool.org.   You can inquire to purchase the Field Guide to Playful Inquiry here. (the Field Guide is just becoming available to the general public so email them at the addresses you find at this link and someone will answer you.) These are valuable resources which you will reference often.

I will keep this Field Guide close by.  Rather than a one-time read, it is an invaluable resource for teachers in any setting.  We come away knowing that this kind of teaching and learning, founded on a strong image of the child and the child’s right to an engaging, empowering, and joyful education is foundational, possible, and the most important calling we have as educators.  

Opal School documentation of ideas about community